CODEX TELLERIANO-REMENSIS PDF

The Codex Telleriano-Remen sis and Codex Vaticanus A: Thompson’s Prototype Reconsidered. Eloise Quiñones Keber. The Codex Telleriano-Remensis. Codex Telleriano-Remensis. folio03verso Ritual calendar page showing the feast period for the shown deity, possibly Tezcatlipoca, beginning on . The Codex Telleriano Remensis is considered, by some, as the purest example of Aztec manuscript-history that we posses in the 21st century. Our reproduction.

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The Aubin adheres to the year count, grouping year signs with occasional place signs and the Nahuatl gloss, and groups years codsx to stops along the migration, noting how many years the Mexica stayed in a particular place before moving on. Retrieved 4 September From Wikipedia, the free encyclopedia.

Joseph Florimond, Duc de Loubat, was an American philanthropist who published a series of reproductions of pre-Hispanic and colonial-era Mexican manuscripts, including the Codex Telleriano-Remensis.

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Kupriienko, Sergii ; Talakh, Viktor []. Codex Telleriano-Remensis Ritual calendar page showing the feast period for the shown deity, possibly Tezcatlipoca, beginning on October 2nd, [iv] fol.

Comparative Material Codex Telleriano-Remensis. University of Texas Press,The third section is a history, itself divided into two sections which differ stylistically. The folios that would contain the initial Spanish conquest are also missing. University of Texas Press.

Mexica figure who has won in battle, shown through dismembered figures, shields, the place sign showing the location of the battle, and footprints to show movement, fol. Organizationally, the Codex Telleriano Remensis is broken into three sections and represents a composite of different prehispanic forms. Use this Investigation Sheet to guide students through describing the object and analyzing its meaning.

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About How to Use this Site. Retrieved from ” https: The last folios depicting the migration continue to focus on warfare and figurative representations, seen in folio 28v where a Mexica figure stands surrounded by those he has killed and dismembered. While these colonial-era texts were still filled with pictures, over time they referenced the visual language of older Mexican and Maya books less and less.

Keywords cultureartheritage, civilizationtraditiontraditionalChristianityCatholicCatholicismReligionMesoamericaMexican AmericanMexicoCentral Americaindigenouspre-HispaniccodexcodicesSpanish conquestMayamissionary.

The Telleriano-Remensis, however, attempts to show a wider range of events along the migration, using images of migrants to attempt to show battles fought along the way, and showing the migration through footsteps without correlating years to specific places.

Codex Telleriano-Remensis | Smithsonian’s History Explorer

The second section is a handbook tonalamatlused during rituals and divinations, which depicts deities and forces that would influence divinations according to thirteen-day cycles. The Emergence of the First Global Age, 1: However, the history continues well into Spanish telleriano-rejensis war and disease, and depicting the spanish, ending in the year codx Three North American Beginnings.

This page was last tellleriano-remensis on 28 Octoberat Codices are folded pieces of hide or bark that depict both mundane and spiritual scenes with images, symbols, and numbers. Leave this field blank. While the pages that would presumably show the founding of Tenochtitlan are missing from the Telleriano-Remensis, the preceding pages emphasize the importance of Mexica figures themselves performing acts of war and migration, rather than symbolic depictions of events.

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The first section is a calendar, showing the twenty-day periods of the Aztec year and the deities which represent the feast for each period. Figures shown to be related through use of footprints, fol.

Codex Telleriano-Remensis – Wikipedia

Three Worlds Meet Beginnings to 1: But indigenous scribes trained by Spanish missionaries continued writing. By using this site, you agree to the Terms of Use and Privacy Policy. These first two sections are unlike the Aubin in that they are not narrative in nature, but the final section of the Telleriano Remensis is more akin to the Aubin, containing a history that starts with the migration account in the late 12th century, moves on to a dynastic section of rulers of Tenochtitlan, and ends with the early decades of Spanish colonial presence, up to the year while the Aubin continues up to Ritual calendar page showing the feast period for the shown deity, possibly Tezcatlipoca, beginning on October 2nd, [iv] fol.

The Codex Telleriano-Remensisproduced in sixteenth century Mexico on European paper, is one of the finest surviving examples of Aztec manuscript painting. In other projects Wikimedia Commons.